March 24th 2007. my short story >
A different version of this quite short story has been published on the amazing anthology Userlands edited by Dennis Cooper for Akaschic books, NYC.
Honestly I always hated that version of my story, it came out all wrong because of a series of stupid personal reasons that got in the way, and I always regretted it especially because of all the other amazing Userlands authors that surround it with great pages.
Anyway. What follows here is a version of it I might consider now decent and final, and that I read with defective pronunciation at Bluestockings, NYC on March 22nd 2007.
Some of you reading this might be reminded of an old post on this blog which in fact was the original inspiration both for the first and second version of this very piece.
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you weird people by corpodibacco
I know that the smile of the grocery girl is because of my mother, her crazy looks, untidy hair, her odd clothes, the strange hat, the jabbering. You all must be weird people, says her smile, putting those useless animals before yourself.
I cave in with my own phony smile. Like I'm not like my mother. Not to be confused with her. Not of the weird people.
Outside the grocery store dogs and people move about in the brown shadows of the trees, and the metal bodies of the parked cars shine dryly, the edges white-hot under the sun.
We move out into the light and I reach for the trunk, squinting, crate of carrots in my hands, warning the old man that the car is a mess, 'cause that's the way my mother keeps it. He says okay and starts to fight his way into it, moving empty bottles around, dried sheets of old newspapers torn to pieces, the snow chain case that will tumble against his feet every time we accelerate, various slabs of dried mud spatter all around the inside, including the seats. As we slam the doors the overloaded ashtray exhales out gray and white particles that flit between our legs.
Dogs share the car, I apologize to him. Would he appreciate it if I started blaming my mother for everything? I wonder. I am willing to. He repeats three times, No problem.
In two minutes we are at the pharmacy, a quiet door gaping out on a narrow lane abandoned in the shade. At the opposite end of the alley the village suddenly disappears, and the curvy hills shine in the distant land before the Italian sea.
The old man and I part ways with a wave and a grumble, but then he calls me from the other side of the road, and he says, the grocery girl, she's my daughter. She's a good girl.
In my paranoia I figure he has a scheme that I should marry her.
The round face of the pharmacist takes its time to scan mine. There's a priest-like morbid aura about it, eyes of repressed sexual desire in the gloomy colors of the store as he hands me back the prescription.
Later I stop by an abandoned lot along the road across the olive groves in the countryside. The landscape is marked by scattered trulli and modern cement angular houses half hidden by the green.
The cats flock over meowing and rubbing themselves against the edges of the low stone walls as I get out of the car. I have detailed instructions about where the cat food has to be dropped. The small bowls and the old aluminum pans, one for each cat, are important. The pecking order is important. My mother is crazy.
Back on the shattered road I think of her, and how it would be if she died. Because she's at the hospital I am entitled to this thought. As the road winds down the hill bordered by more stone walls, further into the land I am not familiar with, I imagine a funeral, words of condolence and affection exchanged, how I wouldn't cry, unable to, maybe later on, and how unsatisfactory the long awaited sense of liberation would be, secret joy for a new life that in the end doesn't come about.
I wonder if the disappointment produced by my imagination makes me a better person or is it that I am just unprepared, that there is no way to be prepared but to imagine, and be disappointed.
As the car jolts against the roots cracking the driveway, the eight dogs rush out of the house barking and howling against the fence to cheer for my approaching smell and figure. The wind is ruffling their fur, scraps of toys and rags are scattered in the yard, their animation is irrational and sweet. All my perceptions are now flattened out to a uniform complacent, absurd lack of criticism, as I mentally go through the returning-home procedures. One bone-shaped biscuit for each of the dogs, in a rigorous hierarchical order. Two biscuits for the biggest one. The oldest barks fiercely and runs across my legs. He knows he comes first.
Hours have gone by when I'm finally done feeding the dogs and the horse and cleaning the stable.
At this point outside it is quiet as inside, only residual puffs of wind are stirring the foliage and shaking the hanging clothes. At moments, there's the crunching noise of the horse chewing on the last bits of carrot scattered in the hay. That's when I feel how after all my mother was right, to come to live this far from everything, here where communities are remote lights out in the dark and being this far and invisible is the safest thing you're left with at the end of the day.
But then some of the dogs are barking from very far out in the field, possibly at a fox. They're too far to be called back. I mentally pray not to find the fox slaughtered in the field the next day, not to have to get the shovel and the black bag and be seen from across the field again, gleaning the fox remains strewn about the meadow, carrying the rolled up formless bag to the dumpster down the hill, carelessly tossing it as if it were no corpse. But the dogs continue to bark, excitedly.
There are many who suffer for the fate of the animals, but most of the people either do not care, or they think it's something not important compared to the fate of humans (of course, there's also the small minority who hates animals or think they are there only to be hunted and annihilated, but they're just too incomprehensible for me so I'll leave them out of the picture).