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December 10th 2005 A strange interview with former US Ambassador to Italy and our conspiracy fashion. Sorry, here's political talking, therefore quite boring, you're warned. >

180px_Moro_br_1.jpg

On the eve of the Olympic games, a former U.S. ambassador to Italy, Richard N. Gardner, discussed with Newsweek Italian politics and Italy's ties to the United States.
The interview is the usual blah-blah, except when the ambassador comes to the argument of the Red Brigades group and the 'revolutionary' left-wing terrorism that plagued Italy during the seventies.

What was the reaction when the group kidnapped and murdered former prime minister Aldo Moro in 1978?
Moro was certianly going to be the next president of the republic. That was such a horrofic event that all the political parties closed ranks, including the Communist Party. It was the doctrine of communists that animated these people, but the Communist Party quickly saw that this kind of violence was leading nowhere and stood firmly with other parties in opposing it. And they stood firmly in support of the police. I give credit to a number of courageous members of government and courageous police work and the people who ran the antiterror efforts in those days. There are still some people who call themselves Red Brigades, and they killed a leading member of the government recently who was advocating for labor reform. But the Red Brigades as a threat to the state doesn’t exist today as it did at the time when I was there.

Right mr. Richard N. Gardner. The time when you were there. Too bad many political analysts and historians, who wanted to see the truth behind the masquerade, found many, too many hints that the Red Brigades were left unharmed by the italian police during those years. They let them grow stronger. They infiltrated them up to the highest level but never crushed the organization as they could. They arrested or killed the less aggressive hystorical leaders of the organization and let the rest of the Red Brigades develop into a way more bloodthirsty, more hierarchic militarized organization1.

After that and only after that came the Moro case. Moro, who wanted the communist party to enter into the government after thirty years of loyalty to italian democratic principles. And when Moro corpse was found, following 55 days of imprisionment in the city of Rome where thousands of policemen and investigators were supposed to go around searching for him, it was pretty clear to everybody that the Communist Party was out of the games and far from getting into the government as Moro had wanted.
Plus, because of the shock for the murder of Moro, the political experience of many Italian idealists, that believed in democracy and fought to make Italy a better place during the sixties & seventies, ended that day. Too bad for the country.

It's not that I really care for the Italian Communist Party or its legacy, but... Why the whole thing happened, mr. former Ambassador? I think you give the best explanation yourself, in the same interview:

There were fears at the time you were ambassador to Italy that the Communist Party could take control of the Italian government. How would the course of history been changed had they taken power?
When I arrived in Italy, the expectation was that they would enter into the government in a historic compromise with the Christian Democrats. That would have changed Italy’s foreign policy. We would never have been able to deploy the cruise missiles in Italy [to maintain a counterweight against the Soviet missiles that had been targeted at Western Europe]. I have quotes from several members of the Communist Party who said, categorically, we are against this and would never have permitted it if we were in government. Deploying those cruise missiles in Italy was the precursor to having them in Germany. And according to [former Soviet leader Mikhail] Gorbachev, that was a factor in the collapse of the Soviet Union—though not the only one, of course … The cruise-missile decision in Italy turned out to be a turning point though.

As the journalist Pecorelli, misteriously murdered after the death of Moro, wrote: Yalta decided via Fani [via Fani is the street of Rome where the Red Brigades ambushed and kidnapped Moro]. Meaning that someone was firmly against a possible change of italian foreign policy, by the hands of the communists. And it was this someone, determined to keep the Yalta order, who decided to stop Moro. The Red Brigades, in this case, being just the right, obtuse, well-prepared tool at hand.

I have only one more curiosity about this interview. Why saying this things now? It doesn't seem to be in tune with the eve of the Olympics 2006 in Turin. It's definitely more in tune with the eve of the next general elections, to be held in spring 2006 in Italy, when some of the heirs of that communist tradition, united with some of the heirs of Moro tradition, will likely come into power in Italy after the friendly Berlusconi disaster.

I think this was all just a little, polite, warning to them. Nobody's better than a former Ambassador to bring a friendly warning notice.

1. It is all too well documented, unfortunately. If you can read italian and are interested in this old stories, you want to read by Sergio Flamigni: La tela del ragno, Trame atlantiche and Convergenze Parallele; by Leonardo Sciascia: L'affaire Moro; by Girogio Galli, Il partito Armato

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November 29th 2005 The bridge over the Strait of Messina and Leonardo Sciascia's wit >

Recently, there's been a little more talking about the (supposedly imminent) construction of the bridge over the strait of Messina. Ignoring the fact that magistrates are already investigating on contracts bids, and that the construction has not even started yet, Berlusconi declared that the bridge is going to make Sicily "100% italian" (whatever that means).

Dismissing fears of Mafia infiltration and environmental damage, the premier highlighted that the bridge would greatly boost the island's economy.

He said construction site alone would bring thousands of tourists to the island, drawn by the prospect of seeing the world's longest suspension bridge going up .

"It'll be like a huge cinema set," the premier told local journalists .

Tourists will come all the way to Sicily to see, however long it might be, a suspension bridge? Sure, Mr. Berlusconi, sure. Someone hand me the straitjacket, please.

This story made me remember a short note I read on one of the most beautiful books about literature and Italy I ever bumped into, Nero su Nero ("Black on Black") by the Sicilian writer Leonardo Sciascia1 (finally resumed by the cardboards where my books were in).
Nero su Nero is a book, in fact, all made of sometimes dramatic, some other witty and ironic notes, records and observations. Like the following.

The commendatore G., man of wit despite being a commendatore, is used to punctuate the tale of his troubles with two quips accompanied by irresistible mimic. The first one: "When God the Father wants to cheat someone?" (and he mimics God the Father in the Highest scanning below, shielding his eyes to pick on the earth the place were the fraud is certain). "Dang: he makes it to be born in Sicily"2 (the gesture of someone who lets a thing drop by, the satisfied look that watches a fall that will explode in a firework full of joy). The second: "The remedy to Sicily's troubles?". A pause that presses the anxious attention of the listeners. "It does exists". Another, longer pause. "The airplane".
I am not getting on the plane. But I have to confess, these days I feel that I have been awfully and irreparably cheated. (Leonardo Sciascia, Nero su Nero, 1979. Translation by Italy is Falling)

Tomorrow, I may add, the one-hundred-percent-italian, cheated-as-always sicilians will have another remedy for their troubles: the bridge.

1. I am not linking Wikipedia in english here, because the article about Sciascia is so completely wrong I don't even feel like editing it (lawyer?! For chrissake he was a schoolteacher!).
2. Later Sciascia coined this expression: Sicily as a metaphor. Metaphor for the whole Italy, of course.

tags Leonardo Sciascia

the milanese lamp post
There is an indifference that is more helpful than your blabbering about being humane, as the right hand pets some of us like Mother Teresa, and the left hand swings the sword of the tribunal against others. There is no one less open to suffering than you official humanitarians. Marsbodies that appear as the protectors of human rights.
-- Peter Handke



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  • W.'s always admired my whining, 'like a sad chimp, at the limits of its intelligence', but my depression took me beyond that, didn't it? You were silent for once, W. says. I didn't ring him, or respond to emails ... No chatter from me: that's when he knew things were really bad, says W. / taken from Spurious

  • Heard the alarm clock screaming with pain, / Couldn't find myself so I went back to sleep again / So fill my ears with silver / Stick my legs in plaster / Tell me lies about Vietnam. // taken from the swiss lounge: adrian mitchell

  • What a pathetic group! What a lack of humanity and true pain! They were real and therefore unbelievable. No one could ever use them for the scene of a novel or a descriptive backdrop. They went by like rubbish in a river, in the river of life, and to see them go by made me sick to my stomach and profoundly sleepy. / taken from Dispatches from Zembla: "Those who suffer, suffer alone"

  • The endgame will culminate in the creation of an Eretz Israel by which time the Palestinian entity will be the substance of myth, nurtured only in poetry and song, some tears and some faded old maps. There are not even many Mahmoud Darwish' around to write about this pain. The fountains of sadness are sprouting blood, the insane cries for help are falling on deaf ears, at this time poetry and Literature seem superfluous, including my naive post. / taken from THOUGHTS OF XANADU: What the Zionists want

  • According to researchers at Oxford University, playing the popular, classic puzzle game Tetris after a traumatic experience could significantly reduce emotional scars. / taken from Health: Tetris Wipes Out Bad Memories, Say Scientists

  • In the seventh grade I moved the family typewriter into my bedroom to begin work on my screenplay. It was a very moving romantic comedy intended to feature a monkey, Simon LeBon of Duran Duran and the well-known actress Bess Armstrong whom I’d seen in my favorite movie of the 6th grade, High Road to China. / taken from 2007 Things «

  • Ahmedou Ould-Abdallah, the UN envoy to Somalia, tells me: "Somebody is dumping nuclear material here. There is also lead, and heavy metals such as cadmium and mercury – you name it." Much of it can be traced back to European hospitals and factories, who seem to be passing it on to the Italian mafia to "dispose" of cheaply. When I asked Mr Ould-Abdallah what European governments were doing about it, he said with a sigh: "Nothing. There has been no clean-up, no compensation, and no prevention." / taken from Johann Hari: You are being lied to about pirates - Johann Hari, Commentators - The Independent

  • Furthermore, as anybody who recently has endured the indignity of a traffic stop can attest, police in most jurisdictions routinely inquire as to whether there are weapons in the car. (In my most recent traffic stop, the officer asked, “Are there any weapons in your car I need to know about?” “No, none that you need to know about,” was my immediate response.) / taken from Pro Libertate: "Question 46," Revisited

  • dam's broke, / head's a / waterfall. / taken from 3quarksdaily

  • The purpose of art is to impart the sensation of things as they are perceived and not as they are known. The technique of art is to make objects ‘unfamiliar’, to make forms difficult, to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself and must be prolonged. Art is a way of experiencing the artfulness of an object; the object is not important." / taken from Shklovsky, "Art as Technique" via MUSINGS ON HANDKE’S PROSE

  • He’s thin and tall and you can see that his hands have been working for a long time. He’s chopping the thick mean ice in front of the church. “That’s tough work today,” I say. He stops and looks up, leaning on the long stick of the icebreaker. “Yes it is. But lookin’ at you,” he says, “I got me some new energy.” / taken from on the corner « Municipal Archive

  • An idea has only to be something you have not thought of before to take over the mind, and all afternoon I kept hearing in my mind snatches of books which might exist in three or four hundred years. / taken from Helen DeWitt, The Last Samurai, from THE CHAGALL POSITION: Relations of Notes

  • Most people, I would imagine, would simply drive on. She did not; she stopped the bus, followed me half a block up the street, and demanded to know why I’d been taking pictures of her, and insisted that I erase them. She was firm; I was surprised and incoherent. But after a moment of confusion, I managed to show her that I had not, as it happened, managed to catch her on film, showing her most of my pictures in the process. At first she was hostile, an avenging angel, but she relaxed as we went through my digital roll, huddling over the tiny light of my view-finder on a dark empty street. / taken from zunguzungu

  • Still, the clothes are fantastic. / taken from sit down man, you're a bloody tragedy: A trial

  • The summer after Hearst's trial, Star Wars was released and immediately became a pop sensation. America now preferred its captives to be self-willed self-rescuers. Rambo would soon grace movie screens; Ronald Reagan would soon be president. And Patty Hearst would go to jail, a harbinger of our new age of "personal responsibility." What was a captive supposed to do? The jury decided: she was supposed to just say no. / taken from That Girl: The Captivity and Restoration of Patty Hearst (Page 2)


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