another day begins. the sky already in full blue, and the sun making its entrance from the left, where I can't see it but for the warm neat light reflected by the buildings in front of the window. Then so rapidly the shadows slide down and the colors get colder, flatter and more intense. The change goes with slamming of doors, dragging of doors and windows, the ringing of alarm clocks and the early noise of a muffled drill that seems a call of a cicada. This noises make the waking up of the condo and beyond that, of the big city. Libi is asleep in the other room. Or maybe waking up too. I have prepared her coffee, and I sit here listening to my heart and the world-- I think of how it is maybe not so incredible that we are being so close now, like never before -- and so I know we are different in our special way, because we can move towards each other as we part-- because it's to see each other more clearly, more naked if it's possible to say this, that makes us closer-- nobody knowing if it is temporary or not. Never we talked so much, so openly, so directly. I am surprised of how many things surprise me. Never we declared our love for each other so seriously like during these days-- something I always have problems to do-- both feeling that we are going in the wrong direction, and that there is not much else to do. Every day is learning, I said that-- and I know this is "to experience": like when you knew something existed and it was possible (for example odd ways to be with someone or to part from someone) but until it happens to you, your own odd special thing, it remains just a empty notion of something that exists like the bottom of the pond you cannot see.
We make love a lot, I think we both need it, and I guess it's one of those moments of a "story" when it really becomes clear that making love works, for all the things that cannot be told or done, things that cannot be declared and affirmed in any other way. Sounds rhetorical, but it's true that we both look now at this story with tears and tenderness and regret -- hoping to see it revive under more ideal conditions, preparing our hearts to the possibility that it might fade away and not come back anymore. I know we can't see beyond the smallest hill now.
The days are made of misery and moments of despair, generic, edgeless fear, but also of a strange excitement, at hearing ourselves saying things we only thought of saying for so long, declaration of independence and dependence, statements of possibility, claims of individuality or freedom or desire. There are no words more intense of the words of the goodbyes, because goodbyes are crossroads of different worlds that are untangling-- the world at our back opening, the world in front of us closing--
That's what the days are about, too. I wonder if it's the words we used, the courage we had to say things, to talk, that made it possible: I asked Libi if it was because we were grown-ups now. I can't express my frustration or my anger in any other way, she said, but no, I said, I mean, one could express it by closing herself up and not wanting to understand anymore, even without expressing anger, not wanting to to see or to listen. But we're not doing so. No, she said, we're not doing so. And we were amazed.

"Mi sono fatto distrarre da ogni cosa possibile, nel tentativo di non focalizzare su il nodo che dovevo sciogliere: minchiate malfunzionanti nel computer, puttanate da scaricare illegalmente, sfondi per il desktop, la caccia dei bruchi attaccati alla pagine inferiore delle foglie delle piante sul terrazzo (è più facile trovarli alla sera tardi), le litigate dei vicini, le notizie merdosissime dei merdossissimi siti di notizie (tanto ormai non credo più a un cazzo di quello che dicono, e se mi dicono di avere paura, ecco che, come magicamente, la paura si solleva dal mio petto e vola via in una risata), ricontrollare la posta, ancora una volta... There are no messages on the server. E sì che mi è costata tanta fatica scriverle. Poi ho capito che il mio problema era così banale, provenire da una vita prevedibile e volere tuffarsi in un mondo oscuro dove almeno qualcosa di inaspettato potesse succedere, ogni giorno, almeno ogni giorno. La prevedibilità non essendo imputabile alla vita tuttavia, come se la vita mi suonasse la musica sbagliata. La prevedibilità l'ho vista galleggiare a mezza via fra la familiarità e la noia, in una area appena al di fuori e appena al di dentro della mia mente bacata." (da uno dei post che cercavano di spiegare, smarritosi poi a spiegare perché non sapevo spiegare.)

I am learning that Libi is a resourceful person, more than I thought. That her soul is larger and stronger than I thought. That her sexual life, her sexual fantasies matter more for her than I thought (well, Mars moved). How stupid of me to notice these things now. Learning that she can say the strongest things without faltering a bit, like she was talking about going out to buy some milk, only lowering her eyes ("I'd jump into the fire to keep our relationship alive, but it wouldn't do no good, would it") then raising them them up and looking straight at me. Because I told Libi about Martina, and Libi learned about her and my confused feelings, I myself learned of Libi's shades of pain, and how she never looses her bravery and her sense of humor. At first comes at you as a form of denial, but then it becomes a complex and unforeseen expression of sorrow and salvation. I hadn't noticed how strong she was before (I said that already, did I. These are the things you go on saying on and on like in a remix when you know you are causing a lot of pain to someone.)
I listened and answered and explained, this I did. I must be really growing up. I learned that my words aren't good until they are honest. Aren't good until they are straight, I mean. I knew about honesty, which doesn't mean I was willing to use it all the time (this is the kind of joke I learned to use in a conversation with Libi, because to no one like Libi a joke, even the meanest joke, in a dramatic moment does good). We talked about Nina, too, and for the first time Libi told me explicitly how she discovered about Nina and how much she suffered for it. So I learned that too (this was today).
"Why you didn't say anything back then", I asked. Only much later we had talked about it, only in bits. "I felt like an ass and humiliated. Just like now", she said. "That was worse than now, though" she added. "Why is so?" "Because I thought that Nina was disgusting -- as a person, you know. And I hated the idea of you two together. This one I don't know, instead, so my feeling is less precise". She really said so, 'disgusting', and only as she said that I learned how much she had suffered from it, while I didn't know, while I was sleeping or reading or thinking about myself in those stupid days of mine, probably: because she wanted to erase that person away with her stronger words.
I am learning how to bite my lips to keep from coming out words like "more than everything I wish you could wait for me", "don't stop loving me". I am learning (again) that falling in love, struggling in love, makes my heart beat harder everyday, my stomach to jump around and to give that warm weird feeling, everyday. Sounds rhetorical, the classical automatic rhetorical description of love, but it is actually true. My heart does beat harder most of the time these days. Every time I think I might be losing what I so badly wanted; that I might be a step closer to it; that I am causing tears and confusion; that I am distancing someone I love so much from me; that I might be find myself very high and fall down very hard; that I really don't know what I'm wanting --but it's oh so strong. The two dominating body parts of my love life: my heart, my stomach. They express it all, not exhaustively, but clearly. I am not surprised the heart is the metaphor of love, I am surprised I forgot I knew why.
I am learning that prejudices really prevent you from crucial experiences. Now I see people with prejudices as unlucky people, and feel sorry for them, even when I understand their prejudices so well (Nina is not 'disgusting' like Libi said. I know it. But I can't tell her why.) I learned that I want a different life, I want more things to happen around me. I learned that sometimes you are being called egoist and there's nothing you can do about it, but face it, face your egoism. I always hated the indulgence by which most of the people declare their own egoism as affordable, like if the world could cope with it, when in reality with their indulgence and self-spoiling they are making the world a worse place. I think egoism is an hazard and should not be used but in case of emergency... It is a tool that can be used and then disposed of, and because you will need it at a given moment, that moment is the time to use it and face it and accept it, which means accepting to be a smaller person. I know I am.
I am learning that knowing I will regret every single thing I am turning my back to doesn't prevent me to do it anyway. Like if I kept saying to myself, I need this mistake, this crucial mistake, like a inoculation. I am sure I need many other things that are out of reach (...). And I learned many other things, about the surprises of my sexual life, about the pleasure I feel at hearing the word "entonces", about my changing looks (no the nose still creaks but it's all right) and that maybe wanting to live it's all about fearing to die, and maybe that soon all my books will be back into a self-storage box, where they were only two years ago. Two years ago when this blog was born, happy birthday to it.

-- In picture, above, the absurd tangle of cables attached to every light pole in Tegucigalpa. No idea why I am posting this right now.

(...) y sé muy bien que no estarás,
ni aquí adentro, la cárcel donde aun te retengo,
ni allí fuera, este rió de calles y de puentes.
No estarás para nada, no serás ni recuerdo,
y cuando piense en ti pensaré un pensamiento
que oscuramente trata de acordarse de ti.

-- Julio Cortazar, Futuro

Linate is the old claiming baggage hall, the dark grey and yellow interiors, the faces of the policemen saying welcome back to Italy, the guy from Modena coming back from Brazil -- he says laughing, welcome to the place in the world where it is the hardest to make love -- I stand there feeling dizzy for the twentyfive hours three planes flight, my bag sliding to me over the conveyor belt, opened from the top, the plastic bag with coffee from chiapas and oaxaca chocolate spat out few bags past -- a pair of pants from guatemala is there too -- I don't care, what's lost is lost, I throw it all above the plastic seats and repack the bag mumbling a welcome to italy to myself-- outside, she's there in a violet dress, others unknown crowding the picture of the waiting --the warmth of Milano's air around us is less intense but somewhat ready to suffocate -- the sky low over the airport, in hues of gray and blue too bright to be looked at -- our embrace is honest? it is honest--

me and Libi have sex inside the car outside of the airport of Linate, her body is in my hands, obeys in the old familiar hard way we know --she gives out high pitched shrills, I feel like eating and swallowing and digesting her body-- it's different from the other sex across the ocean. I think I can't compare. I warn her to be careful, because I have a half broken nose I should take to the hospital tomorrow or so-- not that I feel like it. I don't make up the story of how it got broken, I just leave out the detail -- of the girl I was with --I don't even let the thought get into my mind. I say I know, it doesn't look broken, but I can feel it, like it is harder to breathe with the left nostril -- also it creaks when I touch it-- kept together by the skin -- gives me a weird feeling to the stomach. I learned to talk about love with my heart and now I suspect I love two persons, or I suspected it. I wish I had the room to say that as well.

At home we talk and make love again few times, I am tired and what I see is confused at moments --though real. Later we are half naked on the pavement, I am pouring out the many presents in front of her, it's fun, but then the feast is over pretty soon. I missed Libi, and yet her picture in front of me is not entirely on focus. Now I just feel in need to talk it out with someone. What I can't say bothers me more than the need to sleep-- although pretty soon I fall asleep, and wake up at the beginning of the night -- and awake in front of the window I still try to keep down the thought that, all right, now I wish I could leave -- tomorrow -- again. The bulky memories, labyrinths of words and desires -- the thought of Martina and the bad bad way we said goodbye to each other is down somewhere too, and it's like when the story you want to tell or write about is so big -- too big -- you'll never find a way to begin the job to tell it all out.

In the basement of the famous music club, breathing hot air under the low ceiling as I walk amidst the little crowd gathering, I feel ill, disturbed by my weakness, dizzy of pharmacy drugs and nasal congestion. The self-sabotage keeps moving forward like the only thing moving forward inside me.
I wonder if the bacteria of my cold, or the viruses of my flu are spreading themselves around the room as I move around.
There are many young italians here, guys probably living in the city. I look at them, listen to the italian chit-chat all around me. I don't feel any bond, any special sympathy for them. I wish there was no italian language at all down here tonight. I don't want to pay attention to it. I look at them, all happy and relaxed, so casually conscious of their appearance. I'm not one of them. Neither I am one of the locals of course. No doubt about that.

Me and Loris* hug awkwardly in a corner near the bar. He's nervous and excited for the show about to begin. We talk about the tour, the positive reviews that made him happy. We drink something, I have a beer because I don't know what to order, I tell him I admire his courage to be a small fish in the biggest sea here, when he's such a cult in Italy now. He says, I am tired, I can't wait to be back in Italy.
When the show starts, the music is definitely too loud for me, the voice almost unintelligible, also because of the chewed sort of italian-british accent Loris pulls out when he sings. The choreography they use during the songs, partially coordinated and partially improvised on the very limited same-level stage is pretty amazing, and even hating the loud volume as I do the sound is evidently great.
Loris has a couple of winning numbers, like when he plays the guitar stroking the strings against the tripod of the mic. An american girl near where I am standing, shouts to a friend: "I don't understand a word! [unintelligible] He's awesome!"
I am leaning on a column at the back of the room where the loud music drums less violently against my sensitive ears. They will be buzzing for hours at the end of the night.
I wonder if all these silly precautions and fears are a definitive sign of my being irremediably old. But the truth is, I always was like this. I always had sensitive ears, always felt alone and about to fall when I was sick, always had a sense of not belonging to the place where everyone else felt at ease.

Someone is dancing in front, I see the bobbing heads and arms backlit against the sweating faces of the band, in full light and with eyes mostly closed. There are many wild cheers at the end of the songs. I applaud, listening to the distinct smack of my hands and feel alone and displaced. I would love to be able to talk to the asian girl sitting next to me, or to some of the guys there that seem so nice and cool. But the music is too loud anyway, and I wouldn't know what to say. I actually had more fun at the gay bar the night before, at the reunion with the anthology guys. And not only because in the meantime my cold developed into something nasty and feverish. Here everything seems to be dragging me in a place where I can't be, where I am no good. Here I don't learn nor I see because I am only worried to defend myself, somehow.

Hours before, in the afternoon -- a long conversation with Libi. Finally with a prepaid telephone card that didn't let us down. She was having a late dinner with friends, and I was bowing inside a telephone booth on 14th street. She said, it seems like three years you've been away. They will feel like twenty before you come back. Don't be such a Penelope, I said. Although I actually wish I was a Ulysses.
I told her I was thinking of going to Loris's show anyway, even if the cold was getting worse. I told her that I needed to make things happen.
We talked, putting a lot of warmness in our voices. Things seemed patched up between us now, although I kept feeling a sort of pressure from her regarding the direction I had to take, the things I was considering to do. My not saying, I love you I miss you, I'll be back soon.
We discussed the practical things, the package of winter clothes I wanted to send back home, the destinations, the accomodations. Nothing useful coming out of it, except the illusion of working out the loneliness.
I told her how naively admired I was, of the guys of the anthology, how I was amazed by the humanity and beauty and diversity of their characters, of their souls. How the city was contradictory in that regard, so that at moments you felt surrounded by so many authentic interesting people and stories, and at moments solitude and deceit where everywhere, with every step, into every shop and with every trading act, muttered words of courtesy, cash exchanging hands, friday night competitions to get cabs, racism and hypocrisy of all the parts. I was wondering how amazing it should have been to fall in love with someone in a city where you can feel so lonesome and left out, and cheated. And because of that, how probably rare and misunderstood falling in love must have been. Not differently from other cities, of course, the cities we knew already. But so obvious in the feeling of the place, when you're a stranger into it.

At the end of the concert, moments of blessed silence. Me and Loris exchange a slap and then I climb up the stairs and get out of the club, while the band hurriedly packs up the instruments. There's a long line of people on the sidewalk outside and after few minutes breathing fresh air, checking for new messages, I realize there is no way I can get back in the club now. The line extends itself down the stairs and it is impossible to cut in front.
I wait outside for half an hour. An hour. I start feeling very cold and tired. What a crappy night. No dinner or hanging out with the band, for me. I am going back. I go back. So nothing happened in the end. Slowly walking through Soho and the village back to the hostel I stupidly keep calling home as I talk by myself.
I know I won't be leaving for any place the next day. I lack the courage to embark on a bus and leave the city. Humiliated by my weakness, I feel too sick and about to fall.

_{* As you know, not a real name. Never real names.}

Could this, Mr. Tagomi wondered, be the answer? Mystery of body organism, its own knowledge. Time to quit. Or time partially to quit. A purpose, which I must acquiesce to. What had the oracle last said? To his query in the office as those two lay dying or dead. Sixty-one. Inner Truth. Pigsand fishes are least intelligent of all; hard to convince. It is I. The book means me. I will never fully understand; that is the nature of such creatures. Or is this Inner Truth now, this that is happening to me?

-- Philip Dick, The Man in the High castle

Early night over the city, wet and rained over, folks from the apartment below yelling in front of the TV for the Milan soccer team to score. Sometimes softly warbles through the floor the chant Milan Milan, and someone else, further away beyond the projects blows a canned horn. But everyone who feels like cheering cheers apart and the community exists only across the TV sets. The land all around is cooling and drying, quieting up. The world of the spectators watches the spectacles.
I went to see Jawa today, tried to talk. Things never go like you imagined them if you have imagined them too much or too hard, because your mind can warp reality and compromise it. I mean, we talked, even laughed over it, because the baby has her own same blood type so "this doesn't help us, does it?". But it seemed so far-fetched to her I just dropped it right away in our laughs. It would have been better to drop it anyway. I left soon, she smiled from the threshold and the little kid was crying his short sob in the commotion of the door opened and closed and the distractions going away. I went for shops looking for a new bag not too big, not too small, but in the bourgeois city all the luggage is sinister and well mannered and is a bunch of boxes on wheels. I looked at the travel books and they all seemed useless. I wanted to buy the I Ching since when I read The Man in the High Castle, I had a couple of questions in mind, but I couldn't find the Adelphi copy I wanted. I met with Libi at home in the afternoon and we went to bed and after a while I managed to let my thoughts crawl away and let the sex work. We lay in bed for a while afterwards, the light from the gray sky gone dimmer and the room cold and under a blanket we stayed against the darkening orange wall. Whenever I looked down at her Libi smiled at me and then she said, you should never forget I'm the one who likes what you do to her. She came closer and against my chest and mentioned all the things she liked and we pictured them and I kept feeling inadequate but I didn't tell her. Then Libi left for the sewing school and the door remained open and I could hear the buzz of the city, the fainted honking and the throb of motorbikes and the tires accelerating on the wet surfaces of the street. Nothing else. Birds were silent or unintelligible below the afternoon onslaught of the city noise.
But that was before the night came, and then late at night, when Libi was sleeping alone in the other room with her head resting on a slim pillow near the orange wall, and the soccer match had been over for a long while, and I was writing at the green table and posting on the blog this post and all around had a duration and it felt familiar and distant at the same time. But that wasn't too original a feeling, and it stayed on the surface and I don't know what to do with it.

...there are still two weeks left, but, you know.

Libi I'm trying to write you this letter though I'm no good at it. I always worry that what I'm going to write in the letters will haunt me later on for some reason. Not that I have anything special to write you about. Anything you can't imagine by yourself probably.
So I am leaving, as you know (do'h). Of course I'll miss you Libi. I'll miss your eyes so intense and sweet when we hold each other, your arms when we fall asleep together, your cheering voice as you enter the door, noises of you in the kitchen, in the bathroom, out on the yellow terrace talking to the neighbor's cat. I'll miss our clothes scattered all over the apartment, your round breast, the way you give me, I'll miss you at night, when I'm awake and I hear your soft snoring coming from the other room, that always made me warm, our moments of bravery with the sex, our plans for dinner every night, the contorted and lengthy summaries of the movies you saw. I'll miss not seeing our plants flourishing this spring or getting sick. Even that corny french music all in minor key you always want to listen to. I'll miss hearing of your mother's cat, whom you nicknamed with the same nickname you gave me. I'll miss the countless ways you found to make me feel not guilty, of being alive, of being what I was, of not always doing the right thing. I always tried to protect you but if I succeeded at lengths it only was because you needed so little. Manifested so little. See, I know that.
I'll leave and miss the warm love that my leaving triggered from somewhere inside ourselves, even if it was forced out somehow.
You know that I'll be away for three months, although I am not so sure it will be three months, maybe it will be more, or less. I want you to be strong and go on with everything because I'll be back anyway. I wish I was leaving you with someone else like a child or a pet. But our lives are still important to take care of if we part. And if I am not coming back, because I die or something, please know that the days were all true, all true. True like fear, like illness, like lust, like hunger, like all that I postponed waiting to find the courage to give more to you. True when I ran away from you, true when I came back, true when I said I was sorry. Sometimes I wondered whether it was true or not, but what is true? Is it a lie to think that it's true all that we can't rationalize? And if I really die or something keep my relatives away from my stuff if you can, except maybe the pictures, and destroy the blog please. The password is written under the drawer of the green table (...)

To live between terms, to live where death
Has his loud picture in the subway ride,
Being amid six million souls, their breath
An empty song suppressed on every side,
Where the sliding auto's catastrophe
Is a gust past the curb, where numb and high
The office building rises to its tyranny,
Is our anguished diminution until we die.

-- Delmore Schwartz

These are shitty days. Nothing is clear in my mind. My life and Libi's just dab each other and doesn't even seem to be related anymore. I wake up at six or five, have my breakfast, set up hers, open the computer. Invariably I wish I could go out for a walk in a city that still makes me curious, but the city repels me. Its activity, its rudeness. The tragic solitude of the truancy walks in the parks in the morning--
Solitary birds now sing in the empty hour above the terrace, when the sun is still behind clouds and my plants seem to shiver for the cold, the dirt dried and hard stamped by the hungry pigeons. But the young leaves, small on the branches are still bright green and pointing upward, close to the bark, the first flowers are blossoming and ready to receive the visits of unobtainable hymenoptera with wings. Like church bells the birds remind me of the summers on the Lugano Lake, and the heart skips a beat for all the days that are gone by--
I daze myself in a computer stupor, keeping the fears asleep, when I should go 'round and fix a number of things before I leave --the things that everyday I postpone-- passport, fines to pay, travel books to get, presents. I am eroded by absurd sudden worries, triggered by things I should never read --like that I'll have Alzheimer because there's aluminum in the crowns that cover my teeth, and mercury in the fillings-- and I grab my ears and shake my head and moan in the secret of the orange bathroom whining for my Alzheimer years to come--
Later Libi wakes up and we smile to each other but she doesn't come to me to hug me like we used to do. I don't tell her how attractive she is, ruffled like a cat -- then she goes to bed to read and finish her coffee and I only hear the noise of the leafed pages.
"Do you like this book?" I call from one room.
"Quite" she answers from the other. I gave her the book--
Oh, dear friend, dear lover, I know how complicated and lost I am sometimes-- it's like I feel that you can't reach me, and that you don't even want to try anymore because I'm leaving anyway.
I wonder what Libi is talking about with her therapist. And I am never going to have one, I swear to myself once again.
Every house in the city contains habits and words not visible in the picture-- everything that goes on in the shape of the unsharable habits, like everyone turning its back to you--
I wanted to be closer to Libi these last weeks before leaving for three months, or more-- instead we are nervous, irritable, defensive. Libi seems to be tighten up in her world, full of hours at the atelier, going for shops and suppliers, trams to get and the theaters at the end of the day --Every moment is like the negative of the separation, somewhere where the separation hurts but it's not told or visible and this makes it all the more hard and wrong--
She said she was worried that I might not come back-- I don't know if I've done enough to, I don't know, reassure her--
Sometimes, often, Libi goes to the movies alone, sits in the first seats and sinks herself in the marvel of the the loud voices and the gigantic pictures --and I think of her, there, following a story and shedding few tears or laughs. We are never so much apart like in those moments --and not because I'm not there. Sometimes she falls asleep and snores in the theater and someone notices her, but no one wakes her up. I wouldn't wake her up either-- I wish I could give her a similar sense of wonder and protection, or carry her away instead of being the one who's deserting the nest and leaving her alone-- but we are past that moment and perhaps I didn't wish hard enough.

And finally to get out --and let the city beat its drums all around you, the shops to yellow up your face in a sudden glow, the people on the sidewalks to walk past you forever-- to forever mistake everything about you in a glimpse-- it's reciprocal-- let your indelible suicidal thoughts to mix up with all the other feelings and let 'em get lost for a little while, in the annoying feeling of the city, the smell, the babies carried in a rush, the dogs dragged away from the smell of feces and death-- the conversations through the earpieces smaller than a finger, punctuating the solitude of the souls in all the mirrors-- etc.