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February 21st 2006 Our one and only report from Olympics: you like Olympics? You shouldn't >

For one thing, I have a problem with this exhibition of athletic knacks, with this show of pointless power and nowhere-bound energy. I can get excited on the moment, because someone gets first when it was supposed to get last, because of the revenge-of-the-loser that for a second it represents to my eyes.
But the whole point of these competitions, the battling and defeating, the fighting and crying and exulting it's not in my chords. Prolly, because I find it an even too accurate picture of what life really is: a whole crazy nonsensical thing of fighting and defeating each other callously and without remorse. Well, without the sex, the pleasures of the mind, and the contemplation: the three things that help me to carry on.

So if I see them athletes competing, I just think: "where are you running, fella? What's that for? Life is going to get you anyway, you know. Which means Death is going to get you, too. Don't take it too seriously. We all know life is about crushing the weaker, but let's not make a celebration of it, OK?"

Well, that's just a problem I have I guess. I can find heroic who struggles against the disaster of an earthquake for example, or people accomplishing difficult things that can change people's lives, creatives, nonconformists, or just simple honest fellas who, under certain situations, act heroically. But I will never find heroic an athlete. Again, that's I problem I have I guess.

On the other hand, there are more poignant and general reasons to dislike Olympics. One for all? they cheat. They are drugged so much they all risk to die young. It's a competition among the best chemical balances, not among who has the best working muscles and nerves. It's not like only Austrian athletes cheated.
EVERYBODY does. Not only with Olympics, but with sports in general.

Now they say this guy coach wants to commit suicide and is guarded in the mental ward. Poor fella. But it's no news. Italian cyclist champion Pantani, who is even getting a statue somewhere, ended up drugged and suicidal too, and a bunch of other stories are similar to his, only you don't easily hear a lot about them. After all, the drugged are celebrated even more than the cleaned ones, because they're there to justify our right to cheat.

I think everybody cheats in sports. Everybody take drugs. They just want to win. Morality in sports has been wiped out by money and television a long ago and everybody knows that. Olympics games suck, they are the biggest lie, forget about it.

If you really want to see something heroic going on, why not point our morbid cameras to the folks in Afghanistan coming out of the hardest winter ever, after an earthquake, and under military occupation? They held it out, you know. Just to make an example.

Although, I think we should just forget about television & its twisted quest for heroisms and struggles: even if life is all about that (if we include sex in the same picture) that's barely a way to remind us of it, not to get out of it, at least in our imagination.


November 28th 2005 Turin, foreign correspondence and wikipedia >

Turin is preparing to host Winter Olympics in 2006.
Turin: city that I, as many milanese (part-milanese, for what is worth) fellows, do not know very well. We tend not to look in that direction, don't ask me why. Old, rooted reciprocal suspicions and envies divide our cities. They had their kingdom for generations, and a king who also had the idea of the unification of Italy. Us, we had the French, the Spanish and the Austrian to rule our city for four hundreds years.

(Let me open a parenthesis here for a screen capture I want you to check in a second. The following is the page of Wikipedia about Turin and its history. Please note the part I put in evidence.

usb.jpg

Another funny enough, manifest evidence of the structural weakness of the celebrated Wikipedia, as this article explains quite well. Back to the issue.)

Anyway, all I can hear about Turin today is good or at least sounds better than Milan. Not for business maybe, but for lifestyle and general attitude towards life. Always if you like the reserved, basically ironic, filled with understatement northern type.

For once, a foreign American journalist, Thomas Swick, wrote a dedicated, nice, reasonable piece about an italian location without the usual detached-from-reality "Tuscan sun" idealism. Since he writes about Turin and the Olympics winter games, it's no surprise. Not very much Tuscan sun there, particularly in winter.
A lot of history though, architecture, literature. And the once magnificent, always nonchalant italian river Po that crosses the city.
Few excerpts follow, in order to make this post longer.

The German philosopher Friedrich Nietzsche settled for a time in Turin, writing his autobiography Ecce Homo. One day he walked into the Via Po -- the street where, years later, Levi's father would stop "to caress all the cats, sniff at all the truffles, and leaf through all the secondhand books" -- and embraced a horse. It was the first indication of his descent into madness. (...)

We drove down Via Po, Elena pointing out that the porticos continued over the side streets only on the north side, the side where the Palazzo Reale sits. "So the king could ride his horse without getting wet." ... Crossing the Vittorio Emanuele I bridge, we took a right, and sped past shaded villas along the Po's banks, well-situated social clubs with rowing sheds and red clay courts (...)

The city's signature building, a spired, four-sided dome that defines the skyline, is called the Mole (mass). Like naming the Empire State Building the Stick. (In the cinema museum inside you can watch a scene from an old Italian film in which a man arriving in Turin gazes up at the great dome and declares to his family, "There it is -- the Milan cathedral!")

tags Olympics

the milanese lamp post
All, in fact, suffer at the idea of disappearing unseen and unheard in a indifferent universe, and because of this they want, as long as they have still time, transform themselves into their own universe of words.
-- Milan Kundera



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  • The purpose of art is to impart the sensation of things as they are perceived and not as they are known. The technique of art is to make objects ‘unfamiliar’, to make forms difficult, to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself and must be prolonged. Art is a way of experiencing the artfulness of an object; the object is not important." / taken from Shklovsky, "Art as Technique" via MUSINGS ON HANDKE’S PROSE

  • Ahmedou Ould-Abdallah, the UN envoy to Somalia, tells me: "Somebody is dumping nuclear material here. There is also lead, and heavy metals such as cadmium and mercury – you name it." Much of it can be traced back to European hospitals and factories, who seem to be passing it on to the Italian mafia to "dispose" of cheaply. When I asked Mr Ould-Abdallah what European governments were doing about it, he said with a sigh: "Nothing. There has been no clean-up, no compensation, and no prevention." / taken from Johann Hari: You are being lied to about pirates - Johann Hari, Commentators - The Independent

  • Furthermore, as anybody who recently has endured the indignity of a traffic stop can attest, police in most jurisdictions routinely inquire as to whether there are weapons in the car. (In my most recent traffic stop, the officer asked, “Are there any weapons in your car I need to know about?” “No, none that you need to know about,” was my immediate response.) / taken from Pro Libertate: "Question 46," Revisited

  • Most people, I would imagine, would simply drive on. She did not; she stopped the bus, followed me half a block up the street, and demanded to know why I’d been taking pictures of her, and insisted that I erase them. She was firm; I was surprised and incoherent. But after a moment of confusion, I managed to show her that I had not, as it happened, managed to catch her on film, showing her most of my pictures in the process. At first she was hostile, an avenging angel, but she relaxed as we went through my digital roll, huddling over the tiny light of my view-finder on a dark empty street. / taken from zunguzungu

  • dam's broke, / head's a / waterfall. / taken from 3quarksdaily

  • In the seventh grade I moved the family typewriter into my bedroom to begin work on my screenplay. It was a very moving romantic comedy intended to feature a monkey, Simon LeBon of Duran Duran and the well-known actress Bess Armstrong whom I’d seen in my favorite movie of the 6th grade, High Road to China. / taken from 2007 Things «

  • The endgame will culminate in the creation of an Eretz Israel by which time the Palestinian entity will be the substance of myth, nurtured only in poetry and song, some tears and some faded old maps. There are not even many Mahmoud Darwish' around to write about this pain. The fountains of sadness are sprouting blood, the insane cries for help are falling on deaf ears, at this time poetry and Literature seem superfluous, including my naive post. / taken from THOUGHTS OF XANADU: What the Zionists want

  • He’s thin and tall and you can see that his hands have been working for a long time. He’s chopping the thick mean ice in front of the church. “That’s tough work today,” I say. He stops and looks up, leaning on the long stick of the icebreaker. “Yes it is. But lookin’ at you,” he says, “I got me some new energy.” / taken from on the corner « Municipal Archive

  • The summer after Hearst's trial, Star Wars was released and immediately became a pop sensation. America now preferred its captives to be self-willed self-rescuers. Rambo would soon grace movie screens; Ronald Reagan would soon be president. And Patty Hearst would go to jail, a harbinger of our new age of "personal responsibility." What was a captive supposed to do? The jury decided: she was supposed to just say no. / taken from That Girl: The Captivity and Restoration of Patty Hearst (Page 2)

  • What a pathetic group! What a lack of humanity and true pain! They were real and therefore unbelievable. No one could ever use them for the scene of a novel or a descriptive backdrop. They went by like rubbish in a river, in the river of life, and to see them go by made me sick to my stomach and profoundly sleepy. / taken from Dispatches from Zembla: "Those who suffer, suffer alone"

  • An idea has only to be something you have not thought of before to take over the mind, and all afternoon I kept hearing in my mind snatches of books which might exist in three or four hundred years. / taken from Helen DeWitt, The Last Samurai, from THE CHAGALL POSITION: Relations of Notes

  • Heard the alarm clock screaming with pain, / Couldn't find myself so I went back to sleep again / So fill my ears with silver / Stick my legs in plaster / Tell me lies about Vietnam. // taken from the swiss lounge: adrian mitchell

  • W.'s always admired my whining, 'like a sad chimp, at the limits of its intelligence', but my depression took me beyond that, didn't it? You were silent for once, W. says. I didn't ring him, or respond to emails ... No chatter from me: that's when he knew things were really bad, says W. / taken from Spurious

  • Still, the clothes are fantastic. / taken from sit down man, you're a bloody tragedy: A trial

  • According to researchers at Oxford University, playing the popular, classic puzzle game Tetris after a traumatic experience could significantly reduce emotional scars. / taken from Health: Tetris Wipes Out Bad Memories, Say Scientists


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