July 29th 2007 You think you can leave the matter to your lips >
You think you can leave the matter to your lips
and they don't work right-- Emanuel Carnevali
This morning it seemed so important to write down the dream, but at night its importance dissolved and plays now remote like some music fading out (in my head is Leo Reisman). So many hours later it is almost as not interesting as someone else's dream. So it happens with dreams, rapidly marvel is substituted by vague unfamiliarity and the effort to rebuild hazy details ruins it all.
Once again I toy with the idea of writing more about my so called roots or about some old classmate or relative I don't see anymore -- because I can't stare directly at my life right now, and honest I tried to put down few posts about it but my interest on the matter so soon dries out, and what I thought was fun to write about suddenly does not even faze me anymore. With memories of the past sometimes it is like with the dream I made this morning as seen from tonight, all smudged out like a faint stain.
I visualize a two lines image of my father, where if my father gets in touch too much with the world, you know, socializing or looking out for the others, they shot him with a tranquillizer an take him to the zoo. Like one of those bears they find roaming around in Bavaria.
I think I took too much from him but my heart is much bigger, and luckily less neat.
I don't really care when Nina tells me that she still loves that man (no, not my father, I changed subject don't you see). Yet driving in the night to vague destinations, possibly Vigevano, I feel disturbed and intrigued by hearing once again the story. Unchanged after so many years. Disturbed, I don't know why. Maybe because someone else's unfulfilled loves remind me my own, and everybodies'.
ANd I care when Libi tells me she loves me so, but we can't help each other just as well. I will think these things better later in the night, not usefully.
Not during the days, which are beautiful, warm and dry, good in the shades. The Nights, windows open on the courtyards, voices from the televisions and the dinners and the dinners in front of the televisions. The stunning full moon not right above my head. I called about the job at the University in Sardegna but it was too late already two weeks ago. Later talking on the phone with Bruma I convened, I had hoped to be helped to find a direction but it's on by myself now. I also asked in vain, I mean with the wrong code words, what was the grown-up choice to make, but nobody seems to get that I seriously don't know.
I dreamed it was me, a young Allen Ginsberg and Giampiero Epidermico. Giampiero Epidermico is not his real name. He was a junior high classmate of mine who since then has become a Very Young Internationally Renowned Contemporary Art Critic. A cousin of mine, the one who can see in the dark, is a Contemporary Art Critic too, senior editor of a Important Magazine abroad, and at one moment of their lives, years ago, the two of them were running errands together in a famous Art Magazine in Italy. And they hated each other very much. Which surprised me when I found out. But then I saw Epidermico and I realized. He was constantly in a good mood and that was about it.
I was living in Venice back then and they came for the Biennale on different trains and visited differed pavilions but for me and my Russian friend the Biennale was good only for a good laugh and a good depression, the present only existed as a distortion of the much greater and very humid past we were living into.
I was stupidly radical about it back then. I'm not saying I was understanding. Once I said to my cousin that I thought Contemporary Art should not be called Art, you know, not to confuse it with the real thing which although it is dying, destroyed by restorations and abysmal ignorance, it is still somewhat alive, and we can at least pretend we know why it was supposed to be so great. Not that in fifteen exams of Arts I took at the university I ever met anyone capable of telling me why and how a Bellini is so great compared to a minor. No, it was all crappy theory there, all methodology (but then I learned, outside of school, and now I could tell the difference why and where.) But my cousin looked at me as if I was completely out of the world. He was probably right to look at me like that. It's not Art I said is satire! we should call it Visual Satire or something I said. He kept looking at me like that. What he said? He said Art is what it is happening now.
In my dream Allen Ginsberg and Giampiero Epidermico they went on putting green toothpaste in their pants to melt their dicks onto their balls sort of JT style and I was by myself in the dream until Allen Ginsberg came to me and told me I was cool because or even if I wasn't putting the toothpaste on my balls. The post ends here.
